Reading renaissance music theory : hearing with the eyes

List of illustrations . . IX
Foreword by lan Bent . . XV
Preface . . XIX

PART I BEGINNINGS
1 Prologue: Exempli gratia . . 3
2 Music theory incunabula: printed books, printed music . . 17

PART II 1520-1540: PIETRO ARON AND SEBALD HEYDEN
3 Pietro Aron and Petrucci's prints . . 37
4 Music anthologies, theory treatises, and the Reformation: Nuremberg in the 1530s and 1540s . . 82

PART III THE POLYPHONY OF HEINRICH GLAREANf's DODECACHORDON (1547)
5 Exempla, commonplace books, and writing theory . . 117
6 The polyphony of the Dodecachordon . . 138

PART IV GIOSEFFO ZARLINO's LE ISTITUTIONI HARMONICHE (1558)
7 Composition and theory mediated by print culture . . 179
8 "On the modes": the citations of Le istitutioni harmoniche, Part IV . . 226

PART V READINGS PAST AND PRESENT
9 Exempli gratia: a reception history of Magnus es tu Domine/ Tu pauperum refugium . . 265
10 Epilogue: Reading theorists reading (music) . . 318

Bibliography . . 521
Index . . 334